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[Object] IL 18: Lead Weight

Nearly square; small gouge in one side. Leica ... 15 March 1932 ... Nearly square; small gouge in one side.

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[Object] T 166: Head Fragment of Figurine

Fragment of front part of head in peaked (?) cap. Upper side and lower edges broken away. Mould-made. Gouge technique. No traces of paint. Rather coarse red clay, yellow at surface. 08/ΛΘ* Leica ... 13 April 1932 ... Mould-made. Gouge technique. No traces of paint.

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[Object] T 3163: Male Head

Face and neck of bearded man. Beard indicated by minute holes, eyebrows by short strokes. Broken all around; nose missing and gouge down left side of face. No glaze or trace of color. Red-buff clay. Above ... 12 June 1952 ... Broken all around; nose missing and gouge down left side of face.

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[Object] S 1462: Statuette Fragment: Standing Male

Male torso with a socket for reception of neck; broken through thighs. The figure wears a chlamys drawn over the right shoulder so as to cover the left shoulder and arm. Surface roughly finished with gouge ... 28 June 1950 ... Surface roughly finished with gouge. Traces of mortar (late Roman?).

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[Object] S 1343: Draped Colossal Figure Fragment

A flake from a colossal figure, preserving chiefly drapery but also a little hair (?) along one edge. Surface for the most part finished with a narrow gouge, in part smoothed. Tooling is identical with ... 1948 ... Surface for the most part finished with a narrow gouge, in part smoothed.

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[Publication Page] Agora 11, s. 200, p. 181

Gigantomachy. Herakles. Gorgons. Gouge. Graces. Grave monuments. Gravestones. Herculaneum. Herm. Hermaphrodite. Hermathena. Hermeracles. Hermes. Griffin-bird. Hermes Agoraios. Groups. Gymnasia. Altar of ... Agora 11 181 ... Gouge

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[Object] S 1604: Portrait Head of Male Figure

Nose chipped; otherwise intact except for minor chips. Portrait of middle-aged man with close-trimmed beard and mustache. Hair simply treated and cap-like except for locks falling over forehead. Eyes have ... Late 3rd c. or early 4th c. A.D ... Elsewhere the texture is suggested by shallow furrows made with a gouge driven in a vertical direction behind the ears, in a horizontal direction on the sides and top of the head. ... The texture of the beard has been indicated by means of shallow working with gouge and point. A bridge of marble between lower lip and chin presumably represents a goatee.